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I primarily work in installation and performance, guided by the conviction that each project demands its own unique aesthetic articulation. For this reason, the core of my creative process begins with an active dialogue with the surroundings and context. My research is deeply rooted in the body as a site of transformation—a battleground where cultural impositions collide with personal beliefs. The body, for me, is where the undefined takes shape, emerging from the abstract realm of the mind to manifest in tangible form.

I carefully observe how the body responds to daily life and the shifting states of mind shaped by our environment. I am particularly drawn to its duality as both victim and cause of pain, a precarious equilibrium that reveals the interstitial space where my exploration resides. It is only when a thought passes through the body that it becomes real; in the mind, it remains susceptible to distortion. True understanding emerges through this translation—from thought to physical experience—because the body, unlike the mind, cannot lie.

Our bodies and their conditions are shaped by the cultural, social, and ideological frameworks that surround us, making the body itself the most honest political statement we can offer. This is why I am particularly fascinated by the intrinsic human impulse to ritualize. Rituals are our way of grounding life’s connections, transitions, and transformations. If rituals could be reimagined outside societal dogmas and traditions, they could serve as powerful tools for self-dialogue and connection with our environment, creating space for authentic evolution.

As Darwin once said, “It is not the strongest species that survive, but the ones that adapt best.” I believe that through rituals of transformation, we create the conditions to adapt, evolve, and thrive—both within ourselves and in dialogue with the world around us.

 

Born and raised in Colombia, I studied Fine Arts in Florence, Italy, I have exhibited extensively in Europe, China and South America with works ranging from perforation drawing to installations and, finally, performance, which has been my main are of research. I have participated in numerous individual and group exhibitions in museums, galleries, biennials and festivals (see list of shows in www.sandramiranda.com). I have worked with curators such as Marco Scotini, John Spike, Monika Bravo, Juan Xu and Paco Barragan. I have written scripts for artistic documentaries, directed the production of many multimedia, sound, performance and even theatrical projects. Winner of numerous awards, including the recent first prize in photography at the Mantua Chamber of Commerce and the nomination for the Sara Modiano Award and the COCA Art Prize. My works are part of public collections such as: Mantua Chamber of Commerce, Italy, Diart Contemporary Art Foundation, Sicily, Italy, Lisbon Museum in Barcelona, ​​Spain, Colombian American Center, Bogota, Colombia, among others. I’m currently curator of Chiasso Perduto in Florence (www.chiassoperduto.com) , former Artistic Director for Sensemedia, Italy, International Projects Director for 10 years at the Florence Biennale where I worked with artists such as Marina Abramovic, Gilbert & George, David Hockney, Christo and Jeanne Claude, among many others. I have also worked as Artistic Consultant at the Zhengmou Art Museum, Qingdao, China, at Fabbrica Progetto, Gambettola, consultant at the Buenos Aires Biennial. I co-founded Artistic residency spaces in Sardinia (B&BArt Museum) and in Lima (Una Esquina), also co-founder of ArtSEEN Journal and the web TV channel Sillon 8.  I’m currently living between Colombia and Italy.

© 2025 by Sandra Miranda Pattin

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